Posted Nov 4th 2009 9:32PM by Elisabeth Rappe
Filed under: Action, Drama, Thrillers, Casting, Sony, Scripts, DIY/Filmmaking, Newsstand, Tom Cruise, Angelina Jolie, Johnny Depp

Sony's thriller
The Tourist just keeps sending its talent packing. Originally set to be
a vehicle for Tom Cruise and Charlize Theron, it shifted gears last month and was re-cast with
Angelina Jolie and
Sam Worthington. But once again,
The Tourist finds itself without travel arrangements for a male lead as
Variety reports that Worthington is out due to "creative disagreements" and
Johnny Depp is in.
Depp is still in talks to play the hapless American tourist, and with the way this film is going, one can't assume it's finalized. But if it is, it might just be the casting coup of 2010. A Depp-Jolie pair-up has been something dreamed about by a lot of producers and studios over the years. Once upon a time,
rumor even had them attached to play Cathy and Heathcliff in
Wuthering Heights. People want to see them having onscreen sex. It'd be the hottest thing since ... well, Brad Pitt and Jolie having sex onscreen. (And off. Hey, I'm just being honest. There was a reason everyone wanted to see their offspring.)
The Tourist is also on the hunt for a director.
Florian Henckel von Donnersmarck was circling the project, but departed alongside Worthington over those whispery creative differences. Reportedly, a lot of directors are interested, including
Alfonso Cuaron. While shake-ups can be be a sign of a bad film, I'd like to think that a thriller that winds up with Jolie, Depp, and Cuaron came together exactly as it was meant to.
Posted Oct 27th 2009 10:32AM by Elisabeth Rappe
Filed under: Drama, Music & Musicals, Casting, Universal, RumorMonger, DIY/Filmmaking, Newsstand, Johnny Depp, George Clooney

Frank Sinatra is still what many (if not all) red-blooded man aspire to be. Playing him in
a Martin Scorsese biopic is not only a dream job for any actor, it's wish fulfillment on the highest level. Is it any surprise that the some of the biggest names in Hollywood are said to by vying for the role of Old Blue Eyes?
The Guardian reports that
Johnny Depp,
Leonardo DiCaprio, and
George Clooney are in fierce competition to land the part, with Universal executives allegedly pushing hardest for the marketable Depp.
It's a tough thing to cast someone like Sinatra. While I certainly like all three men as actors in their own right, I think their own fame makes it impossible for them to disappear under the skin of an icon. This isn't exactly Howard Hughes or John Dillinger, figures that an actor can shape from facts and bits of footage, but still make their own. This is a man we're all familiar with from countless movies, concerts, albums, and television appearances. How do you portray that honestly with Depp, DiCaprio, or Clooney? If forced to choose from the three, I'd pick DiCaprio purely because of the physical resemblance, and politely suggest Clooney play Dean Martin.
Personally, I hope
Scorsese finds a semi-unknown for the part (someone on the level of
Tom Hardy -- who might actually be really good now that he's sprung to my mind) and steers clear of the A-List. The actor lucky and brave enough won't have to sing, as Universal and Mandalay spent 2 years clearing the rights to Sinatra's catalog, but he still has to be someone you
believe to possess that voice. Would you cast one of the Big Three above? Or do you have someone else in mind?
Posted Oct 22nd 2009 8:15PM by Elisabeth Rappe
Filed under: Horror, Johnny Depp, Scenes We Love

While other countries have headless riders roaming their empty places, I believe America can lay claim to
The Headless Horseman. Born out of the mists of early America, the Horseman is a vengeful, anonymous Hessian who lost his head to a cannonball during the American Revolution. While it's popularly assumed he rides around looking for his head (and claiming any he comes across along the way), he actually has it resting on the pommel of his saddle. He doesn't need a new head. He's just sadistic.
As a kid, I firmly believed the Hessian was a real Sleepy Hollow legend, and finding out that he was just an invention by Washington Irving was a bitter disappointment. But now I find it impressive that a mere short story has worked itself so deeply into American folklore to become one of our most iconic horror characters. He's enigmatic and elegant in his hunting, traits that have survived Disney and Scooby-Doo without losing a shred of scariness. He really should be allowed to ride across movie screens more often. The wonderful thing about legend (even if it's not a real one that owes its existence purely to Irving) is that not one version is definitive, and any good writer or filmmaker can explore its murkier corners.
Though I love the Disney version with all my heart (like many kids, it's how I first encountered the story) I'm including a scene from
Tim Burton's Sleepy Hollow below the jump. I was disappointed by it when I first saw it in theaters (I still question the production designer's decision to just plunk the bridge in
the middle of town), but its chilly atmosphere and Hammer stylings have grown on me. 18th Century America is one of my favorite topics for horror
and history, and Burton painted a delicious nightmare version of it. If only he hadn't chosen to give the Hessian such a familiar face ....
Continue reading Villains We Love: The Headless Horseman
Posted Oct 7th 2009 12:32PM by Elisabeth Rappe
Filed under: Action, Sci-Fi & Fantasy, Deals, Disney, Scripts, Family Films, Newsstand, Johnny Depp, Remakes and Sequels

When D23 and
Johnny Depp announced that the fourth
Pirates of the Caribbean installment would follow up its colon with
On Stranger Tides, it didn't take the Internet long to point out that there was
already a pirate story carrying that title. It seemed an unlikely coincidence since Tim Powers' book also starred a pirate named Jack, and centered on a quest for the Fountain of Youth.
Well, X marks the spot, apparently, as Powers confirmed to
Hero Complex that Disney did indeed option his 1987 novel three years ago, and that he's been eagerly sitting on the news for all that time. As the author is quick to point out, his Jack "Shandy" Chandagnac and Jack Sparrow have little in common, and he's unsure as to how Disney will adapt his book to the
Pirates of the Caribbean mold. "I've watched all the movies several times, of course, and I think the clear thing they would use is the trip to the Fountain of Youth. My main character doesn't overlap with Jack Sparrow at all [in personality or circumstance]; they're totally different characters. I suppose they might overlap the
Geoffrey Rush character Barbossa and Blackbeard. The only thing I feel certain they will hold on to is the Fountain of Youth since they telegraphed that at the end of the last movie."
Powers' biggest concern isn't whether Disney will keelhaul his plotline, but whether the film will end up in Davy Jones' locker now that Depp's enthusiasm
has waned. His hearty advice? "Nobody talk to each other, everyone just stand and smile, don't do anything to mess this up, let's keep this going, OK?"
Posted Oct 1st 2009 3:15PM by Elisabeth Rappe
Filed under: Horror, Music & Musicals, Fandom, Johnny Depp, Scenes We Love

If you pressed me to pick my favorite slasher, I would pick the one who wears a cravat and sponsors a recycling program. He may not be as physically terrorizing as Jason, Freddy, or Michael Myers, but Sweeney is just as ruthless. Once he decides that revenge is best served in a hot crust, no one is safe from his blade. Perhaps he's not as creative with his kills as Jason or Freddy is, but he's a lot more poetic. Few slashers are both a serial killer
and a Byronic hero, and few horror movies feature a hero who moans over his lost daughter as he opens another jugular.
The blend of the romantic and the horrific is what makes
Sweeney Todd: The Demon Barber of Fleet Street such a delicious story. At its twisted center, the story is all about love. Sweeney is motivated by the loss of his wife and child, Mrs. Lovett assists him because she's always loved him, Judge Turpin is twisted by love and lust for Johanna, and the tender romance of Johanna and Anthony helps bring it all to an even bloodier denouement.
Combine its Gothic romance with its cheery tunes (cannibalism, rape, child abuse, alcoholism, and insanity have never been so catchy!) and historical / social commentary, and you have a pretty demented little tale. Am I the only one who watches it, and hopes
every single time that once Sweeney dispatches Judge Turpin to his gravy, he and Mrs. Lovett will flee London, make a new life together and enjoy lifelong success running a meat pie shop by the sea? I know he and Mrs. Lovett deserved their ugly ends, but Sweeney's seems especially bitter. He may have put a lot of innocent men into pies, but did he deserve such a personal twist of the razor? I think even the Greek playwrights would find that one cold.
Continue reading Villains We Love: Sweeney Todd
Posted Sep 21st 2009 3:48PM by Elisabeth Rappe
Filed under: Action, Sci-Fi & Fantasy, Executive shifts, Disney, Celebrities and Controversy, Scripts, Family Films, DIY/Filmmaking, Newsstand, Steven Spielberg, Johnny Depp, Remakes and Sequels

As the entertainment world headed out for the weekend, there was a
very big shake-up at Disney, with studio head Dick Cook being ousted from the company. Disney's president Bob Iger is determined to reinvent the studio from top to bottom, and reportedly saw Cook as a relic of Disney's cartoonish past. But Cook has a lot of success under his belt, and friendships with the likes of
Steven Spielberg,
Tim Burton, and
Johnny Depp. Depp was one of the first to speak out about Cook's departure, and hinted darkly to
The Los Angeles Times about the fate of Sparrow and the Black Pearl.
Depp revealed that he only has a potential deal in place for
Pirates of the Caribbean: On Stranger Tides. It's all dependent on how good the script is, and how favorable he is towards a post-Cook Disney. "There's a fissure, a crack in my enthusiasm at the moment. It was all born in that office." Jack Sparrow was indeed born in Cook's office. As all Sparrow and Depp fans know, Disney had been trying to convince Depp to sign on for a Disney film for years, but it wasn't until Cook name-dropped
Pirates that Depp was in.
Cook was one of Depp's supporters against a studio who was unimpressed with his eyeliner, gold teeth, beaded dreads and drunken demeanor. "When things went a little sideways on the first
Pirates movie and others at the studio were less than enthusiastic about my interpretation of the character, Dick was there from the first moment. He trusted me." Lo and behold, an icon was born (whether you love him, hate him, or are just tired of him, you have to admit that Sparrow will outlast us all), and we got a little swashbuckling in the summertime. Hats off to Captain Cook for that, and if Sparrow never sails again, at least we'll know that friendship won out over a love of franchise gold.
Posted Sep 19th 2009 7:02PM by Peter Martin
Filed under: Action, Fandom, Johnny Depp

"Aargh!" "Ahoy, matey!" "Shiver me timbers!" OK, that's it, I'm out of buccaneer bon mots, which are pretty much essential in order to honor
Talk Like a Pirate Day, celebrated annually on September 19. And even those pirate sayings are ones I took from an article on the event in
Los Angeles Times, which credits John "OI' Chumbucket" Bauer and Mark "Cap'n Slappy" Summers for igniting the tradition years ago.
When it comes to movies, the
Pirates of the Caribbean series comes trippingly to mind, especially since
Disney just announced that
Pirates of the Caribbean: On Stranger Tides will be coming ashore in Summer 2011, with
Johnny Depp returning as Jack Sparrow. But it's pretty tough to talk like Johnny Depp -- believe me, I've tried, and gotten my face slapped as a result -- so what other movie pirates can we safely imitate? Here's a quick list:
- Errol Flynn. I'm working on my Australian accent, by way of England, and I think I've got it, good enough to fake a shorter, less dashing Captain Blood.
- Graham Chapman. The Brits have got us beat when it comes to classic Pirate-speak, and Yellowbeard has so much flamingly funny talk you can pick and choose, but I'll stick with my man Graham.
- Robert Shaw. He's always talking out of the side of his mouth in Swashbuckler, which makes it easy to talk like him.
- Geena Davis. She doesn't talk like pirates usually talk in Cutthroat Island. All I have to do is talk like a rough and ready lady.
Our friends at
Popeater have their own suggestions, and there's a great list at
Rob Ossian's Pirate's Cove. To celebrate Talk Like a Pirate Day, what movie pirate will you be talking like?
Posted Sep 11th 2009 5:32PM by Jenni Miller
Filed under: Disney, RumorMonger, Newsstand, Johnny Depp

So about that Disney announcement -- well, the one about
Pirates of the Caribbean and its new title (
Pirates of the Caribbean: On Stranger Tides) and release date (summer 2011). It just so happens that there is also a novel called
On Stranger Tides about pirates by one Tim Powers (which we briefly mentioned in
our other post). The plot is striking in that the main character is also named (or renamed) Jack, and the plot revolves around him finding the Fountain of Youth, which is not only a recurring theme in the
Pirates movies but was the rumored title of the fourth installment.
Here's the plot summary from
Amazon via
Publishers Weekly:
World Fantasy Award–winner Powers (Three Days to Never) demonstrates a precise control of complex narratives in this reprint of his rollicking and enchanting 1987 novel. Puppeteer John Chandagnac, bound for Jamaica to recover stolen money from his uncle, becomes Jack Shandy after pirates attack his ship and force him to join their crew. Shandy's struggle to accept his new life grounds the story for readers, even as Blackbeard and vodun magicians whisk everyone away to dreamlike lands where the Fountain of Youth itself awaits. The chaotic sea battles sing, though at times key events happen so quickly that they get lost in the shuffle as Jack tries to comprehend where he's going and what's at stake. This dark fantasy tale will appeal not just to pirate fans but also to anyone who appreciates Powers's talent for blending the most unlikely elements into a brilliantly cohesive whole.
So what do you think? Is this what we can expect come summer 2011? Or did Disney swipe this guy's title and ideas?
Posted Sep 11th 2009 4:15PM by Kevin Kelly
Filed under: Disney, Fandom, Johnny Depp
At Disney's D23 they kept the movie surprises coming for nearly two hours, announcing a slew of new information about their upcoming slate of films for the next couple of years, and they trotted out John Travolta, Robert Zemeckis, Jerry Bruckheimer, Nic Cage, Miley Cyrus, and ... Johnny Depp in full costume as Captain Jack Sparrow. Yes, we're not kidding, and boy do I hate the "no cameras in the arena" rule that Disney busted on us. Of all the things to miss a photo of.
So yes,
Pirates 4 is coming out in Summer 2011. That's probably the biggest news. What else did they announce? Check it out below ...
- Disney's The Princess and The Frog will be screened at the Disney Studio in Burbank, which is being opened to the public for the first time ever, from November 25th through December 13th.
- The new Muppets movie will be called The Cheapest Muppet Movie Ever Made. Interestingly, this is the same title as a concept for a Muppet film that Jim Henson, Jerry Juhl and Frank Oz had back in 1985. It was revived in 2000 by Frank Oz, but died in development hell. We're assuming this is the new Jason Segel Muppet project.
- Disney is remaking The Beatles' Yellow Submarine as a 3D film, complete with new motion capture and the original songs from the soundtrack, directed by Robert Zemeckis.
- Disney's Pirates 4 will be called Pirates of the Caribbean: On Stranger Tides, and will be released in Summer 2011. Depp came out as Jack Sparrow, and asked if anyone had seen a talking frog. Well, stranger things have happened.
- We should also point out (thanks to commenter Dan) that On Stranger Tides is the name of a Pirate-related book by Tim Powers. Is Disney adapting the book for the fourth movie? Did they swipe the title? What's the connection there, because there definitely has to be a connection.
Continue reading Disney Announces 'Pirates of the Caribbean 4' Date, Title!
Posted Aug 11th 2009 9:15PM by Jeffrey M. Anderson
Filed under: Johnny Depp, Scenes We Love

A biopic about
Ed Wood originally sounded like a bad idea, simply because the primary impulse should have been to ridicule the poor old Angora-wearing fellow into oblivion for two hours. That might have been funny for a minute or two, but Wood did it to himself, so much better, in his own films. Happily, screenwriters
Scott Alexander and
Larry Karaszewski and director
Tim Burton instead made a loving tribute to a nut that never gave up, and
Ed Wood became one of the most endearing movies of the 1990s. It's one of my all-time favorites, but it gets extra credit for one brief scene that comes fairly late in the film.
Wood (
Johnny Depp) is having trouble with the producers of his latest low-budget sci-fi epic and he storms out -- in full drag -- to the nearest bar. There he meets
Orson Welles and gets a stirring piece of advice: "visions are worth fighting for." I love the humble way in which Wood introduces himself, and of course it's hilarious that the maker of
Citizen Kane doesn't know Wood or his films. But the scene works because, despite the huge difference in talent, the two were kindred spirits; they both stuck to their personal expression, and they both suffered for it.
Ed Wood was filmed just before the era in which film students switched from wanting to be Orson Welles to wanting to be Quentin Tarantino, and the idea of being Welles was also the idea of ultimate artistic integrity, making personal movies in spite of the money or the distribution.
Continue reading Scenes We Love: Ed Wood
Posted Jul 31st 2009 1:10PM by Peter Martin
Filed under: Action, Disney, RumorMonger, Johnny Depp, Comic/Superhero/Geek, Remakes and Sequels
Are you ready for singing and dancing pirates? Rob Marshall, the director of the Academy Award-winning Chicago and the upcoming musical Nine, is "on the verge" of helming the next installment of Pirates of the Caribbean, according to Variety. If all goes well, Johnny Depp will return as Jack Sparrow and production will start next year.
Of course, I was only joking about the "singing and dancing," since there's no indication that Disney or producer Jerry Bruckheimer want to make a musical version of their blockbuster franchise. But they do want to move forward as expeditiously as possible, and thus have been talking with a variety of directors recently, in the hope that Depp can do the next Pirates before starring in The Lone Ranger. The first Pirates movies were all directed by Gore Verbinski, who declined to move forward with the franchise in favor of pursuing a movie version of Bioshock. That particular project hasn't worked out so far, though it seems that Verbinski is ready to do something that doesn't involve pirates and high seas.
Meanwhile, this would be a strikingly sideways move for Marshall. Coming on board a successful franchise that has already grossed more than $2.6 billion worldwide is fraught with peril. And Depp's performances as Jack Sparrow have become iconic, so where will Marshall put his own personal stamp? Sources told Variety that the studio is so confident that he will sign on, they have already begun casting new characters that will appear in the next installment. Uh, shouldn't they wait for Marshall to sign on the dotted line?
Posted Jul 27th 2009 6:34PM by Kevin Kelly
Filed under: Sci-Fi & Fantasy, Fandom, Johnny Depp, Movie Marketing
Disney's viral marketing was the buzz of Comic-Con, and pretty much the coolest thing to ever hit the convention outside of Hall H. Both events were viral, and you couldn't find out about them unless you were in the right place at the right time, and in some instances decoding cryptic messages with mysterious information on them.
For
Tron: Legacy, they built an entire 1980s version of
Flynn's Arcade, complete with a secret entrance that would take you into the world of the film, and also an entire recreation of the Mad Hatter's tea party, which is part of
Alice in Wonderland: The Touring Exhibition, which will be heading around the globe after leaving Comic-Con.
Fans received information that told them: "Tea Party will be held at 7th ave, between J & K st. Invitations are required." They had to head to the same location, where they were handed little invitations, complete with tiny keys attached to them. Inside, the fun really began as you headed down the rabbit hole to Wonderland, and were treated to props, costumes, and set pieces from Tim Burton's
Alice in Wonderland, right down to Johnny Depp's frizzy orange wig.
Read on beyond the jump for our full breakdown of what the tour consists of. According to an insider we spoke to, this tour will be heading around the globe after it leaves San Diego, and might not be open to the public. So, catch it here in pictures while you can!
Continue reading SDCC: A Tour Through Alice in Wonderland's Tea Party
Posted Jul 22nd 2009 12:45PM by Peter Martin
Filed under: Fandom, Johnny Depp, Images

Though it's still months away from release, Tim Burton's Alice in Wonderland has already generated considerable interest. Johnny Depp's star power can properly be credited -- who doesn't want to see him play The Mad Hatter? -- but I think most people would concede that the project wouldn't be 1/10 as promising if it wasn't Tim Burton at the helm. Burton has created more fantastical, wildly different worlds than most any other filmmaker, so the prospect of him unleashing his imagination on the world of Lewis Carroll is enough to make me giggle like a little boy.
All that to say that the official site for the filmmaker has a teaser gallery for The Art of Tim Burton, a massive book coming this fall that will provide "a comprehensive look at the personal and project artwork of Tim Burton," featuring more than 1,000 illustrations and 400 pages. A host of collaborators and friends, including Depp, Winona Ryder, and Christopher Lee, are contributing text to the book, which will have a number of fold-outs. Both standard and deluxe editions are promised.
In the meantime, you can look at a few of the pretty pictures in the gallery below, and then head to Burton's site to check out all the samples -- and you get to move Stain Boy around! It's a bit cumbersome, but cute. And the lovely, evocative images (Sleepy Hollow, Batman, and on and on) are a timely reminder that Burton began his career as an artist and animator, a key reason why he's developed into such a distinctive filmmaker.
Posted Jul 2nd 2009 10:02PM by Elisabeth Rappe
Filed under: Action, Drama, Thrillers, New Releases, Universal, Johnny Depp, Summer Movies, Polls
It's the Fourth of July weekend, and what better way to celebrate America's independence than by watching a John Dillinger decide taxation with representation wasn't
nearly as much fun as the patriots made it out to be.
Public Enemies has gone wide this week, brandishing their tommy guns in the hopes of stealing some of
Transformers' box office thunder. If anyone can do it, it might just be
Johnny Depp, who does appeal to a crowd that Optimus Prime just can't reach.
Jeffrey Anderson was
full of praise for Michael Mann's film, likening it to earlier crime classics such as Max Nosseck's
Dillinger or Don Siegel's Baby Face Nelson. "... it equals them, capturing some of their raw energy and allure and clocking in as a longer, but equally fast-moving and adrenaline-pumping example Somehow Mann only manages to use the extra time for flash and spectacle, and hardly any for depth or detail, but that only helps to speed things along. Happily, he also avoids the typical origin story, and plunges right in ... One of the movie's main themes is that Dillinger lives for the moment, unwilling or unable to consider the future, and with little use for the past. That's Mann's credo as well, and it's what keeps the lengthy
Public Enemies in shape. Most scenes come with an intense immediacy, with an effective use of shaky cams and stark lighting, giving chaos an open invitation to rear its ugly head at any time. The bullets are loud and plentiful and when they hit, the blood is not shy about making an exit."
But that's one smooth criminal's opinion. Give us yours!
Posted Jul 1st 2009 8:45AM by Jeffrey M. Anderson
Filed under: Drama, Thrillers, New Releases, Universal, Theatrical Reviews, New in Theaters, Johnny Depp

Essentially there are two kinds of gangster movies: those made during the time when men wore hats in real life and those made during the time when men wore hats that came from wardrobe. The first type are usually in black-and-white, punchy, nervy and full of wisecracks. The second type are usually longer and more violent, but slower-paced and nobler of purpose, as if the hats suddenly carried an extra weight, an extra sadness. What
Michael Mann has achieved with the new
Public Enemies is an often fascinating, striking combination of the two.
I walked into the new film, convinced that it could never top lean, mean B-movie classics like Max Nosseck's Dillinger (1945) or Don Siegel's Baby Face Nelson (1957) in which these gangsters were initially immortalized. But it equals them, capturing some of their raw energy and allure and clocking in as a longer, but equally fast-moving and adrenaline-pumping example. Somehow Mann only manages to use the extra time for flash and spectacle, and hardly any for depth or detail, but that only helps to speed things along. Happily, he also avoids the typical origin story, and plunges right in.
Continue reading Review: Public Enemies
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